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Neumann TLM 102 Professional Studio Condenser Microphone - Nickel Finish for Podcasting, Voice Over & Music Recording
$200.95
$365.38
Safe 45%
Neumann TLM 102 Professional Studio Condenser Microphone - Nickel Finish for Podcasting, Voice Over & Music Recording
Neumann TLM 102 Professional Studio Condenser Microphone - Nickel Finish for Podcasting, Voice Over & Music Recording
Neumann TLM 102 Professional Studio Condenser Microphone - Nickel Finish for Podcasting, Voice Over & Music Recording
$200.95
$365.38
45% Off
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Delivery & Return: Free shipping on all orders over $50
Estimated Delivery: 10-15 days international
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SKU: 82504156
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Description
Product Description The TLM 102 defines a new generation of Neumann studio microphone. It sets a new performance and value standard for microphones at this price. It's reduced overall size contributes to an exceptionally compact appearance, which unites all of the typical design components of a Neumann microphone. The harmonious proportions and gleaming grille ring ensure that even at first glance, the TLM 102 attracts attention. The TLM 102 delivers impressive sound. It's newly developed large-diaphragm capsule (cardioid) clocks a maximum sound pressure level of 144 dB, permiting the recording of percussion, drums, and amps at extremely high output levels. Acoustic instruments benefit from the exceptionally fast transient response of the TLM 102. Where the TLM102 really shines is with vocals and speech. It has a slight boost above 6 kHz providing excellent vocal presence in an overall mix. Up to 6 kHz the frequency response is extremely linear, ensuring minimal coloration and a clearly defined, extended bass range. The capsule has an elastic suspension system reducing handling and structure-borne noise. A pop screen integrated into the grille serves to suppress plosives in vocal and speech recording. Due to its price and flexible field of application, the TLM 102 is ideal for home recording and project studio, as well the broadcasting area, especially when clear lines of sight to the speakers are a priority. The TLM 102 is available in black and nickel; a stand mount is included. From the Manufacturer Neumann TLM 102 The Neumann TLM 102 is a compact, large-diaphragm studio microphone that offers legendary Neumann sound at an affordable price. It boasts a maximum sound pressure level of 144 dB, which permits the recording of percussion, drums, amps and other very loud sound sources. Quieter instruments also benefit from the TLM 102’s very fast transient response. And when it comes to vocals and speech, the TLM 102 really shines: a slight boost above 6 kHz provides for excellent presence of the voice in the overall mix. Up to 6 kHz, the frequency response is extremely linear, ensuring minimal coloration and a clearly defined bass range. About NeumannNeumann is regarded worldwide as the standard-setting, leading manufacturer of fine microphones for the studio and the stage. Neumann microphones are requested by artists and engineers alike for their unique sonic character, robust and attractive design, and carefully developed technology. Neumann recently introduced its line of studio monitors, making the brand the perfect partner for both the input and the output of the audio signal path. Each Neumann product is subject to rigorous quality control processes, ensuring that you acquire a product with unsurpassed sound quality, reliability and lasting value.Highlights Ideal for home and project studios Effortlessly captures instruments, vocals and speech Compact, attractive design FeaturesLarge-diaphragm microphone with cardioid directional characteristic (pressure gradient transducer)Compact, smaller-scale Neumann designVery high maximum sound pressure levelSlight presence boost above 6 kHzTransformerless circuitryAvailable in two finishes: nickel and matte black Finish options Nickel or matte black Recommended applications For home and project studiosFor broadcasters and voiceover artists looking for a more affordable entry into the Neumann world Includes: TLM 102Stand mount Specifications TLM 102 Acoustical operating principle Pressure gradient transducer Directional pattern Cardioid Frequency range 20 Hz - 20 kHz Sensitivity at 1 kHz into 1 kΩ 11 mV/Pa Rated impedance 50 Ω Rated load impedance 1 kΩ Equivalent noise level, CCIR 21 dB Equivalent noise level, A-weighted 12 dB-A Signal-to-noise ratio, CCIR (rel. 94 dB SPL) 73 dB Signal-to-noise ratio, A-weighted (rel. 94 dB SPL) 82 dB Maximum SPL for THD 0.5% 144 dB Maximum output voltage 13 dBu Supply voltage (P48, IEC 61938) 48 V +- 4 V Current consumption (P48, IEC 61938) 3.5 mA Matching connectors XLR 3F Weight Approx. 210 g Diameter 52 mm Length 116 mm
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Reviews
*****
Verified Buyer
5
I am a serious audiophile. I have a great audio setup and have been hand building tube amps for audio and guitar since the 1980s. My main monitors are some amazing (and expensive) Bowers and Wilkins floor standers - stunning they are. I consider my taste on the consumption side of audio to be extremely high. However, on the creation side it is just a casual hobby of recording: spoken word, poetry, occasional music and nature/etc. For fun, not money. So while I have excellent playback gear, my creation gear in the past has just been rather OK. That is my frame of reference for you. I have been using a Behringer B2 Pro as my main condenser microphone for some time now. It is an economical and great product. However, I have always wanted a Neumann as part of my "I want the best audio experience" personality. I could never justify a 47/67/87/89 based on my needs even though my geek inside wants one. So I have been fascinated with this rather affordable TLM 102 for some time. Finally, the reviews and online audio samples got me and I bought one. First thought, '@#$% it is small'. It really is. It more of a medium size condenser compared to my B2 and other cheap condensers. On the physical enclosure and capsule size. That is cool though, as it is super portable and flexible on location. On comparing the audio quality: the lack of the upper treble boost is immediately evident. You cannot miss it. I think if you want a truly general purpose mic, this will be immediately invaluable. If you just want a vocal mic, you may prefer the bump (look at the 103). Audio quality vs. the cheap condenser mics: OK this one is hard... there is less of difference than I had expected, yet the ball is clearly in the Neumann camp for being the best. No matter what I record, it's just slightly less sibilant, slightly less vampire drained in the mids with the false bass and treble boost. It's just better in every way your brain can come up with. The gotcha is, it is really rather minor, and it also proves that the reputable, economical mics present an enormous value for the casual/beginner audio enthusiast. As such, I can only rate this mic as truly 5 stars; delivering everything it promises. But I really want to tell the readers, if your budget is indeed limited, some of the cheap condensers offer you 90% of the experience at a fraction, *literally* a fraction of the cost. Either way you go to me is a win; based on your own needs. It's remarkable we do have this much choice in gear. Happy recording.

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